When you left
I stopped
everything, or was it
that everything stopped? The mail
piled up unopened.
I knew blind
what the envelopes held
under their dumb
flaps: birthday
cards with wishes, bills
with owed amounts;
no grief
manual. I sat on a cardboard box, tore
my clothes, covered
the mirrors with sheets,
even read the bible, got nearly all
the way through
Leviticus -- sin and sacrifice,
offerings and making yourself holy, until I couldn't stand
the unmitigated
commands -- You shall
and I am the Lord your God. Remember us at eighteen
driving barefoot to
Weir's Beach for tattoos
singing, Freedom's just another word
for nothing
left to lose? I picked
the exact spot on your back for Tom
to stencil some
goddess sign you'd found
in a book and flinched watching him work his black-ink needle
into your flawless
skin the same way I would
years later when I caught sight of the sunflower-sized bruise
on the top of your
thigh. Drunk and fell down
the stairs you said, waving me away. You stayed
for a week and went
back to him. I didn't have the courage
to command: You will stay. You will
leave him.
And every night you're with me now,
running from his apartment, robe streaming behind you
in darkness, him
following, him beating
your head against that glass
phone booth, the
neighbor's car.
After sitting low
for seven days, you
whispered, Let me
go. I took a walk
around the block, let you pass
through the front
door with me, kept
walking to the local tattoo parlor, had your name
dragged across my
chest so I could
let go, the way we scrawl down lists so we're free
to forget exactly
what it is we want
to remember. I was at the Museum
of Natural History
today --
dinosaur bones set carefully, dioramas
of Neanderthals in
cases reenacting hunts, and an exhibit
on body art entitled "Marks
of Identity."
This is what I learned:
that in the afterlife, where all things are reversed,
dark tattoos shine
brightly
to illuminate a path
for the dead. I
learned
that women shamans
painted their
bodies
with vicious snakes and jaguars
to protect them in
journeys
to the spirit world. I learned
that the female
body
must be marked
before it can serve
as a vehicle
for the spirit. |